Regulating The Intensity Of Influence The Parameters For Composition Goals

You will find the button for calling the following dialogue in the tool-bar right above - tab category < Compose>.

With the harmony-approaches of voice leading you pretend how very much Obtiv Octava Composer should stick to the pre-determined chords.

The specification can have different meaning with different composition rules. The less the harmonic emphasis is of importance, the more frequently, chord reversals and non-chord tunes can be used.

The melodic voice leadership boasts how much movement should originate in the individual voices.

However, the comprehension, what is melodic, can differ from composition rule to composition rule very much (Bach, Hindemith).

The intonation optimized voice leadership boasts, like important easiness of play as well as to giving an intonation to voices.

In case you write for amateurs, so a high intensity of influence is recommendable here.

With difficult melody leadership in the composition, the intonation suffer very often . So, an actually tonally appealing chord can turn fast into the dissonance.

The different purposive ideas often stand to each other in the contradiction. So a high intensity of influence can make one of the three goals that another goal becomes unattended.

Pitch position , if not pretended:

If you don't want to pretend any elaborate planning of pitch position, you can do a general pitch position specification in this dialogue box..