Full Score Mode And Single Part Mode

You can toggle between the full score-mode and the single-part (voice)-mode,by a click in the Tool bar - Full score-mode / single-part (voice)-mode above as well as .

In the full score mode, you can see and edit the entire composition.

In order to generate a single-part  from the score, click with the mouse into an arbitrary voice as well as Line (Stave), then click on the icon   and it will change to and  the score shifts into the single-part (voice)-mode.

The computer now calculates a single-part automatically, in which you can perform further editing.

Following things which you should know:

1. The score is the structure, that administers your work. The single parts therefore always exist, even if actually you want to work only on one or two single parts. For example, you work on two single parts only, and you insert one bar in one single part. This inserted new bar bar appears in full score as in all single parts as well. That means this bar is inserted at the corresponding position in full score and all single parts.

2. The same you can reach over the root menu "Layout" - "Extract any combination of parts".

3. Alterations  of indemnifications of layout however, can be performed in Full Score and single-part(s) (voices) independently of each other.

4. What-ever changes you made, it will be carried out automatically in Full Score and in all single parts as well. Composition changes, as well as in the single-part (voice) as also executed in the score, for example note(s) inserts, repetition deletes etc.. In each of single-parts (voices) always become the same number of bars, sections and breaks (jumps)!

5. Only if you are simultaneously the single-voice-mode and in the print (page)-view mode, multi-bar-rest(s) becomes summarized automatically , otherwise, only manual operations of multi-bar-rest summaries are possible.

If you want to represent a single-part (voice) as transposed instrument, so you can establish this for single-part and full score differently. (See Represent single part (voice) as "transpossing instrument".

Reference: If you work on large scores, so it is very helpful if the orchestration-view is always visible beside the score. (Click on the orchestration-view-symbol, so that the orchestration cast and score are visible simultaneously.

If you now click on a voice in the orchestration cast-overview (survey), the cursor is placed automatically into the corresponding score-stave (line).

If you are in the single-part-mode, you can pick an individual single-part (voice) with a click into the orchestration overview.